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I decided to record a random and uneasy guitar piece. The phasing tones were the same guitar as the main one you can hear in the front. The ambient tones in the back are the same guitar part used for the phasing and the one in the front, I made two of them and killed them with reverb and made sure they were barely audible, just as backing noise.

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from [SDx28] The Long Distance Howl, released June 21, 2017
All music recording, composition, production, editing, mixing and mastering; cjt

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Swin Deorin UK

Scottish artist and musician.

I have travelled through madness to figure this out.

All albums on bandcamp are out on all streaming platforms.


Please enjoy my music and share it with your friends.
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